#looking for transcriber

[fatedroses]

When you sell your soul to the merchant devils for outfits v-v

[royalarchivist]

Cellbit: Ordem Paranormal 🔥

Roier: Enigma do Medo 🔥🔥🔥

In honor of today's Ordem Paranormal news, here's a little compilation of some classic "Enigma do Medo" moments with Roier and Cellbit.

[cementcornfield]

That Panthers celly with audio 🥲

[blanketforcas]

(credit to @fivefeetfangirl and @opheliathegreekgoddess for filming this question, tysm guys <3)

misha: hello!

me: hello! um. so, you know the singer perfume genius?

[transcript and context continues under the cut]

misha: no

me: i think you do... but uh, ruth connell and i think rob also went to a concert of his. and he, i think somewhere in 2021 he wrote fanfiction about jared, like him and jared having sex, and then one about jensen and him having sex. and he was going to write one about you as well

misha: uhu. but he didn't think he could handle it?

[audience laughs]

me: i think he was having trouble writing. um

misha: yeah

me: but then after, ruth posted something about, it was a picture of you, rob and ruth in a hug. and ruth tagged perfume genius in it.

misha: uhu

me: and after that, he kinda deleted his tweets and it seems like it was never finished or posted. [joking] and i was wondering if you like, bribed him or something so that he wouldn't post it. or like what happened there?

misha: i love that you're asking this question as if i have any fucking idea what you're talking about. "you know, perfume genius, i think you know" i've never heard of perfume genius. but! i'm very disappointed that he hasn't written it. maybe he did!

me: maybe... but you should contact him then

misha: this. well, okay. i'll follow up with him and find out whatever happened to my... fanfiction. yeah.

me: thank you. [trying to end this lol]

misha: did um, did- so ruth is tagging him on photos? i thought those photos that we took, the three of us, were private!

me: [joking] it was full-on kissing as well. i can show you

misha: can i see?

me: no it was a cute one

misha: was it? it was full-on kissing?

me: [shows misha ruth's insta post]

me: [notices misha is gonna take my phone out of my hands]: umm

misha: [grabs my phone anyway] [starts swiping]

me: no. misha no.

(misha doesn't stop)

me: [climbs on stage and takes phone back]

misha: i love how a fan jumps up on the stage and security is like "no, that's fair. this one's on you misha" you guys she- she did the right thing by the way. i stole her phone. so you can't fault her for that. thank you for standing up for yourself. that was unacceptable what i did. and also unacceptable what i saw on your phone

me: i hope that was interesting, the train information

misha: [laughs] it was- it's true. i did only make it to tomorrow's train from düsseldorf

me: you also want to see the fanfiction about jensen?

(staff drags me away from the mic)

(at this point i was already surrounded by a lot of security and staff)

misha at security: um. yeah, you guys, you can leave. she's fine. she's fine.

(security guy asks me to come with him anyway)

misha: no no no she's fine she's fine she's fine. guys! i stole her phone! and she had um, perfume genius pornography on it.

queue handler i hadn't talked to: no i'm sorry, you lied to us

me: i didn't (i had told a different queue handler my question in short but i hadn't written it down since i wanted it to be spontaneous)

misha to the handler: about what?

(queue handler claims again that i lied about my question)

misha: no no no, i'm gonna say: you can stay. and that's okay. she didn't do anything wrong. i took her phone.

(i walk away and i think i say thank you to misha lol idk i was on autopilot)

(staff found me anyway, like 10 min after i sat down somewhere, and they banned me from seeing the jared and mark s panel, some of my friends came to give me my bag and for moral support, then punished little me waited alone in the room outside the panel room for a bit lol and misha came up to me after his panel was done to check if i was okay and he concluded "i don't want questions filtered at my panels anyway", i saw him for a photo op like 30 min later and he was like "hi again" and i got the squishy hug i asked for ("yes of course") and that's what you missed on glee)

[151ae]

you impregnated a man...

[phovaries]

thinking about when phil dyed his hair blue

VIDEO TRANSCRIPT:

Transformation complete!

I’ve shone this light on myself so you could see the true… blueness… otherwise it just kind of looks black.

But, yeah! I’m happy with it!

Welcome, blue hair.

[russetfoxfur]

@zedweek, day one: Free Space

Zedaph: Minecraft Done Differently

"It Couldn't Be Done" by Edgar Allen Guest // Zedaph, Hermitcraft S9, EP30 // Don't Wanna Be, The Score // mauv-the-bluest-cat-ever // Official Minecraft Trailer // fence-time // "Invitation" by Shel Silverstein // Zedaph, Hermitcraft S5, EP49 // Could Have Been Me, The Struts // Zedaph's Youtube channel description

[josephwoll]

Woll's end of season interview | May 20, 2025

[thewalrusespublicist]

Hello! Love your blog and your takes, objective and sane and well researched chefs kiss! I had a blast scrolling through it like it was my feed yesterday lol can you elaborate on klaus and Paul if possible? People mostly talk about them like it’s already understood but I don’t understand 😭 I’m kinda lost on their (all of them, including stu) dynamic during the hamburg years specifically when it comes to Paul

Aww thank you anon! Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol). So I really, really needed this. :)

Oh Paul vs/and the Exsis, it's quite a long one so buckle up.

Disclaimer: all of the people involved are essentially art kids/young adults who are famously the most exhausting people on the planet. Do not blame them for being dramatic, it's their natural state of being.

If we want to go into Paul and Klaus, we have to kind of start with the John, Paul and Stu. Now these three are a mess that's too big to go into here (though I have THOUGHTS about how Stu is utilised in the Beatles narrative that I'm more than happy to share if asked lmaooo). But in short(ish):

John and Paul had had an intense year and a bit of closeness. Then John meets Stu at art college.

John and Stu become c l o s e for many reasons (being peers, living together, similar artistic leanings + ego, Stu being a gentle guide to John, sharing art projects/poetry/long letters and feelings etc.) They became 'closer than two men' a friend had seen (remind us of anyone gang?). Most importantly, John could be open about his feelings with Stu in letters. If John had BPD which I subscribe too, I think Stu was his 'favourite person' and as Aunt Mimi said his 'special' and 'closest friend' from this period up until his death (though imho the transference back to Paul was starting prior to his death).

It's not clear what exactly happens as there's differing accounts but Stu uses his money to buy a new bass as John wants him to come to Scotland then Hamburg and play bass as he will 'look good'.

Paul doesen't like being relegated to the seat behind John and Stu when he used to sit next to John. He also isn't thrilled when he gets to Hamburg and not only does he get to sleep in the other room with just Pete but Stu cannot be arsed to play because he's hanging out with his hot new girlfriend Astrid (more on her in a sec). Our boy has spent a lot of money he doesen't have and given up on further education to be here and is jealous and annoyed.

Paul and Stu probably were friends and I think their mutual antipathy is overegged. HOWEVER, can't be denied that Paul is jealous of Stu and Stu is jealous of Paul (and getting flare-ups from increasing brain damage). John and Stu tease Paul and steal his money, Paul is mean to Stu (as are the others encouraged by John). Do I think John was playing games with both of them? Yup. They end up scuffling onstage because Paul said something about Astrid (not clear what, one account is that Paul said that Stu could borrow money off Astrid if he needed it which isn't really that bad a dig but who knows Yoko??).

Why is this dynamic important? Because it directly impacts the 'Exsis' (Klaus, Jurgen and Astrid's) group's relationship with Paul:

The Exsis were young artists living in Hamburg. They were artistic, cool, interesting and edgy. They were paramount in introducing the Beatles to cool new concepts, aesthetics and ideas. They also took themselves VERY seriously ie pretentious as all hell.

Astrid met Stu at Kaiserkeller and hit it off. They embarked on an all-consuming romance.

Letter from Stu to Astrid, c.1961

I've seen people say they were the proto-John and Yoko in terms of making their romance the whole world and influencing John years down the line and I can see that. With Astrid and Stu it's far more endearing though because they ARE young and the right age to have a relationship like that. Stu is popular with the Exsis in general and brings them into the Beatles group.

The Exsis didn't like or trust Paul. Astrid said later it was because Paul was 'too nice' which she herself admits is a ridiculous reason. The others also thought he was a bit of a show-off. It makes sense though if you're cool and edgy and want to stick it to the world to be sus about a guy being friendly show-off with seemingly no inner world. The other problem was a perfectly reasonable one imo, you're not going to like your friends frenemy who you don't connect with. Compound that with Paul not taking drugs as much as George or John and being in the other room and you begin to have a division.

Paul had been popular his whole life, like from what we know since-primary-school-popular. He had never been in this position before, let alone in a foreign country. I believe it became a bit of a brutal feedback loop. Paul's response to this type of behaviour consistently it to go more surface level, snide and passive aggressive. The natural response of any group with a designated 'ugh' person is to become more shady and exclusionary. The cycle continues and gets worse. Stu letters back home at this time says that in a shocking turn of events Paul is hated by everyone but Stu 'just feels sorry for him' (lmao OF COURSE you do Stu, its giving 'loathing' from Wicked lol). Klaus drew a lot of artwork of the early Hamburg Beatles that includes this highly unpleasant picture of Paul in 1961 which I think says a lot:

Klaus is also a musician and fancies himself a place on bass. When Stu leaves to pursue art, Klaus asks John if he could take over but John says that he thinks Paul is going to do it.

Klaus has later gone on to say that he thinks he was a better bass player for the Beatles' sound at the start and then Paul developed into being better for the group. It's one of those I cannot believe those words actually left your mouth and you are not deeply embarrased moments. But it's important to keep this desire and viewpoint in mind.

Klaus stays in touch with all of them and close to John and George, George especially. They visit Klaus on holiday in tenerife in early 60s and Klaus later draws the Revolver artwork.

This whole context of how they met and Hamburg is crucial and has to be taken into account when hearing Klaus' statements. Klaus and Paul started off with a lack of connection and with Paul on the outs, the Exsis got an incomplete view of Paul and an inaccurate snapshot of the Beatles dynamic overall. This is why when Klaus says 'Paul was always slightly apart from the others' and that 'divorce was inevitable' from early 60s we should remember that that is what Klaus is expecting to see as that's what he saw in Hamburg.

Klaus wanted to be the bass player (and was holding out hope to join a band with George and John in the 70s), was really close with George and suffers as many did with 'John Lennon aspiring boy bestie syndrome' (JABBS). Paul had what Klaus wanted and from the Hamburg experience, you could see why Klaus thought he might have an in and may have been jealous of this 'shallow' Paul of all people having the connection that he felt he should/could have with John and George. As with most sufferers of JABBS, he took John's side with everything, always refused to say any regrets about his involvement in How do you Sleep and thought Paul was fine with the song because 'he was even closer to John than [he] was. (Again Klaus to put yourself in that level of closeness with John that it's comparable to Paul is ???.) JABBS and its secondary condition PMIETGSH (Paul McCartney isn't even that good shut up) are virulent diseases that incapacitate sufferers objectivity and judgement, so it's fair to say that Klaus is a source you have to take with a pinch of salt on the early 70s period.

It seems that Klaus and Paul did get on a lot better the older they got (probably without the jealousy complication of George and John) and developed a sweet friendship. Here is Klaus' tribute to Paul for his 80th:

Here is the jam session he's talking about:

He now wants Paul to live in his house lmao so things have gotten warmer. But Klaus and Paul's dynamic is a great example of how and why natural bias, little jealousies and spats can consciously or subconsciously influence our internal narrative and why we need to be so careful about not taking one perspective as gospel.

[girlfriendline]

local dad tries to tell child off, can't stop laughing

[cannedravi0lii]

Jeff: "WHAT ABOUT MY E-BOY TWINK SWAG?????"

Chernabog: "ooooH shit I forgot about that part. Uuuuuhhhhhhhhhhhhhhhhhhhh

You'll get it back lol

(Or not who knows)"

Jeff: "BRO"

[lovecolibri]

"I- I've been walking around since leaving you in Gavriel, holding my breath, hoping I could correct the mistake of not telling you that the feeling I was understanding but didn't quite have a word for yet- I should have told you then.

You say everything we have we owe to the Citadel. I agree. But. I think there's something inside that, that makes it feel like it is up to the discretion of a glass tower to take it all away and call it back. But of the things I know now and the things that I feel, nothing can take you from me. Can take this feeling from me.

I love you. And GOD if we die here, I'll be so fucking mad. Because I've never felt like this before. And I'm so happy to know you."

OH AABRIA CAME BACK SWINGING!

[graythursday]

i would be interested in sitting down with someone who doesn’t like the batman (2022) to hear their reasonings as to why because it is genuinely mind boggling to me. especially with people who make it their life’s mission to constantly bring the movie up and discredit it. like yes they’re bored, yes they miss their dreadful dceu, but i just cannot understand if someone is a fan of batman, like a true fan i guess, what major issue they would take with the movie. because reading about all the love and work that went into it, and listening to matt reeves talk about it… it’s just so undeniably full of passion and heart and sincerity. i guess the people who don’t like it want batman to be a heartless killing machine, which i guess yeah they don’t actually like the character and their idea of him is an oc. but whatever. it’s just bewildering that anyone could listen to the way matt reeves talks about this movie and continue to dismiss it. he just has such a genuine understanding of batman and it’s such a joy to hear him talk about his vision for this rendition of the character. also it’s incredible the movie is as seamless as it is despite all of the difficulties they had filming. it’s just such a gift to fans and i will continue to patiently await part 2 news whilst preoccupying myself with content related to this universe that i’ve already seen dozens of times :]

[ananinidraws]

At what point does arch nemesis banter crosses the line and turns into flirting?

[vagueeyes]

INSIDE NO. 9 | Director Guillem Morales + challenges

From the commentary - S3E5 "Diddle Diddle Dumpling":

Steve: Oh, it was painstaking. This really was, the sort of classical structure of this. Reece: I think it did pain Guillem a lot, because he didn't like ever doing things orderly–full on, sort of–in such a symmetrical way. It was always oblique angles he liked using, so it was a–every time, it sort of– Steve: –A challenge. Reece: –Yeah, it struck a nerve with him to do it.

From the BBC Sounds pod - S6E5 "How Do You Plead?":

Reece: When you got this script, […] what's the thought that goes into–do you read it and then imagine how you would want to tell the story? How do you sort of go about first processing how you're going to direct it? Guillem: Well, I think that in each episode, there's a challenge. That's INSIDE NO. 9, isn't it? So I think that [...] trying to find that challenge in every script; and if there isn't a challenge, you know, I like to create them anyway. (Steve laughs) [...] Steve: You used light a lot, didn't you? In this episode. And reduced it as you were going along. And that was one of your strong images as well, wasn't it? To end in near darkness. Guillem: Yeah, see, that was one of the challenges that I created for myself (all laugh) and for the team.

[isbergillustration]

Fortress of Total & Utter Desolation & Loneliness (affectionate)